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Metallica - ...And Justice For All download

Metallica - ...And Justice For All download

Performer: Metallica
Title: ...And Justice For All
Released: 06 Sep 1988
Cat#: 60812-1, 9 60812-1
Label: Elektra
Country: US
Style: Speed Metal, Heavy Metal, Thrash
Category: Rock
Size MP3: 2274 mb
Size FLAC: 1829 mb

Tracklist

1...And Justice For All
Written-By – Hetfield, Hammett, Ulrich
9:44
2Harvester Of Sorrow
Written-By – Hetfield, Ulrich
5:42
3To Live Is To Die
Soloist [2nd Solo] – HetfieldWritten-By – Burton, Hetfield, Ulrich
9:48
4Blackened
Written-By – Hetfield, Newsted, Ulrich
6:40
5The Frayed Ends Of Sanity
Written-By – Hetfield, Hammett, Ulrich
7:40
6Dyers Eve
Written-By – Hetfield, Hammett, Ulrich
5:12
7Eye Of The Beholder
Written-By – Hetfield, Hammett, Ulrich
6:25
8The Shortest Straw
Written-By – Hetfield, Ulrich
6:35
9One
Written-By – Hetfield, Ulrich
7:24

Credits

  • Arranged ByHetfield, Ulrich
  • BassJason Newsted
  • Booking [Travel, New York]Linden Travel, Marla Wax Ferguson
  • Concept By [Cover]Hetfield, Ulrich
  • Cover, IllustrationStephen Gorman
  • Crew [Crew Fuckers 88/89]'Not So Big' Mick Hughes, Andy 'I've Toned Down' Battye, Bobby 'Slender' Schneider, Danny 'It was Working A Minute Ago' Murphy, Flemming 'Cymbal Holder' Larsen, Steve 'Blood' Fowler, Tony 'Swift' Smith, Zach 'Don't Even Look Through' Harmon
  • Design [T-Shirt & Art Guy]Pushead
  • Design, LayoutReiner Design Consultants, Inc.
  • DrumsLars Ulrich
  • EngineerFlemming Rasmussen
  • Engineer [Assistant And Additional]Toby 'Rage' Wright
  • Engineer [Assistant Mixing]George Cowan
  • Engineer [Drum Trax]Mike Clink (tracks: C1, C2)
  • Guitar [Harmony & Melody], Acoustic GuitarHetfield
  • Illustration [Hammer]Pushead
  • Lacquer Cut ByRML
  • Lead GuitarKirk Hammett
  • Legal [Representation, Los Angeles]Peter Paterno
  • Lyrics ByBurton (tracks: D1), Hetfield (tracks: A1 to C3, D2)
  • ManagementCliff Burnstein, Peter Mensch, Q Prime Inc.
  • Management [Accounting, San Francisco]Fred Duffin, Joni Schneider, Siegel & Feldstein
  • Management [Agency Representation, London]Fair Warning , John Jackson
  • Management [Agency Representation, New York]ICM , Marsha Vlasic
  • Management [Immigration, New York]Gail Leibowitz
  • Management [Management Staff]George Knemeyer, Linda Walker, Q Prime Inc.
  • Mastered ByBob Ludwig
  • Mixed BySteve Thompson And Michael Barbiero
  • Other [Merchandising, New York / Toronto / London] – Brockum
  • Photography By [All Photos]Ross 'Tobacco Road' Halfin
  • ProducerFlemming Rasmussen, Metallica
  • Rhythm Guitar, VocalsJames Hetfield
  • Arranged By [All Arrangements]Hetfield, Ulrich
  • Artwork By [Cover Concept] – Hetfield, Ulrich
  • Artwork By [Cover Illustration] – Stephen Gorman
  • Artwork By [Design & Layout] – Reiner Design Consultants, Inc.
  • Artwork By [Hammer Illustration] – Pushead
  • BassJason Newsted
  • DrumsLars Ulrich
  • Engineer [Assistant Mixing]George Cowan
  • Engineer [Engineered By]Flemming Rasmussen
  • Guitar [Lead]Kirk Hammett
  • Lyrics ByBurton (tracks: 8), Hetfield (tracks: 1 to 7, 9)
  • Management [For Q Prime Inc.]Cliff Burnstein, Peter Mensch
  • Management [Staff]George Knemeyer, Linda Walker
  • Mastered ByBob Ludwig
  • Mixed BySteve Thompson And Michael Barbiero
  • Music By [All Harmony, Melody], Acoustic GuitarHetfield
  • Other [Accounting] – Joni Schneider & Fred Duffin for For Siegel & Feldstein, San Francisco
  • Other [Agency Representation] – Fair Warning/John Jackson, London, ICM/Marsha Vlasic, New York
  • Other [Legal Representation] – Peter Paterno
  • Other [Management] – Q Prime Inc.
  • Other [Merchandising] – Brockum/New York
  • Other [T-shirt & Art Guy] – Pushead
  • Photography [All Photos] – Ross 'Tobacco Road' Halfin
  • Photography [Photographer] – Ross Halfin
  • Producer [Produced By]Metallica
  • Producer [Produced With]Flemming Rasmussen
  • Rhythm Guitar, VocalsJames Hetfield
  • Technician [Assistant], Engineer [Additional Engineering]Toby 'Rage' Wright
  • Artwork [T-shirt & Art Guy]Pushead
  • BassJason Newsted
  • Design Concept [Cover Concept]James Hetfield, Lars Ulrich
  • DrumsLars Ulrich
  • EngineerFlemming Rasmussen
  • Engineer [Assistant & Additional]Toby Wright
  • Engineer [Assistant Mixing]George Cowan
  • Lead GuitarKirk Hammett
  • Legal [Representation]Peter Paterno
  • Lyrics ByJames Hetfield (tracks: 1 to 7, 9)
  • ManagementCliff Burnstein, Peter Mensch
  • Management [Staff]George Knemeyer, Linda Walker
  • Mastered ByBob Ludwig
  • Mixed BySteve Thompson & Michael Barbiero
  • Other [Accounting] – Fred Duffin, Joni Schneider
  • Other [Immigration] – Gail Leibowitz
  • Other [Travel] – Marla Wax
  • Photography ByRoss Halfin
  • ProducerMetallica
  • Producer [Additional]Flemming Rasmussen
  • Rhythm Guitar, VocalsJames Hetfield
  • Arranged By [All Arrangements By]Hetfield, Ulrich
  • BassJason Newsted
  • Booking [Agency Representation]Fair Warning , ICM
  • Booking [Fair Warning]John Jackson
  • Booking [ICM]Marsha Vlasic
  • Design Concept [Cover Concept]Hetfield, Ulrich
  • Design, LayoutReiner Design Consultants, Inc.
  • DrumsLars Ulrich
  • EngineerFlemming Rasmussen
  • Engineer [Assistant And Additional]Toby 'Rage' Wright
  • Engineer [Assistant Mixing]George Cowan
  • Engineer [Drum Trax]Mike Clink (tracks: C1, C2)
  • Illustration [Cover]Stephen Gorman
  • Illustration [Hammer]Pushead
  • Lead GuitarKirk Hammett
  • Legal [Legal Representation]Peter Paterno
  • Lyrics ByBurton (tracks: D1), Hetfield (tracks: A1 to C3, D2)
  • ManagementCliff Burnstein, Peter Mensch, Q Prime Inc
  • Management [Staff]George Knemeyer, Linda Walker
  • Mastered ByBob Ludwig
  • Mixed BySteve Thompson And Michael Barbiero
  • Photography By [All Photos]Ross 'Tobacco Road' Halfin
  • ProducerMetallica
  • Producer [With]Flemming Rasmussen
  • Rhythm Guitar [All Harmony, Melody And Acoustic Guitars On All Songs], VocalsJames Hetfield
  • BassJason Newsted
  • DrumsLars Ulrich
  • EngineerFlemming Rasmussen
  • Engineer [Assistant And Additional]Toby 'Rage' Wright
  • Engineer [Assistant Mixing]George Cowan
  • Engineer [Drum Trax]Mike Clink (tracks: C1, C2)
  • Lead GuitarKirk Hammett
  • Mastered ByBob Ludwig
  • Mixed BySteve Thompson And Michael Barbiero
  • ProducerFlemming Rasmussen, Metallica
  • Rhythm Guitar, VocalsJames Hetfield
  • BassJason Newsted
  • Cover [Cover Concept]Hetfield, Ulrich
  • Design, LayoutReiner Design Consultants, Inc.
  • DrumsLars Ulrich
  • EngineerFlemming Rasmussen
  • Engineer [Additional Engineering]Toby ´Rage´ Wright
  • Engineer [Assistant Mixing Engineer]George Cowan
  • Engineer [Drum]Mike Clink (tracks: B1, B2)
  • Illustration [Cover Illustration]Stephen Gorman
  • Illustration [Hammer Illustration]Pushead
  • Lead GuitarKirk Hammett
  • ManagementCliff Burnstein, Peter Mensch, Q Prime Inc.
  • Mastered ByBob Ludwig
  • Mixed BySteve Thompson & Michael Barbiero
  • Photography ByRoss ´Tobacco Road´ Halfin
  • ProducerFlemming Rasmussen, Metallica
  • Reissue ProducerGreg Fidelman
  • Remastered ByReuben Cohen
  • Rhythm Guitar, VocalsJames Hetfield

Notes

℗©1988 Elektra Entertainment, a division of Warner Communications Inc. for the United States and WEA International Inc. for the world outside of the United States.
Distributed by/Distribue par Warner Music Canada Ltd, A Time Warner Company.Release comes with two pages booklet with blank inlay.

Ⓟ 1988 Metallica
Ⓒ 1988 Metallica
Ⓟ Ⓒ 1993 MCA Records, Inc. (compilation)

"Made in Germany" at CD surface

Variant of Bulgarian bootleg manufactured by KJF with slightly different CD label and shorter matrix than:
Metallica - ...And Justice For AllComes in standard vinyl jacket with a full-color lyric insert. The audio from this release is identical to the Warner Bros. pressing as identified by the runouts.

Recorded Jan.-May 1988 at 'One On One,' Los Angeles.
Mixed at Bearsville Studios, New York, June 1988.
Mastered at Masterdisk, New York.

All song published by Creeping Death Music (ASCAP).
All songs © 1988 Creeping Death Music, ASCAP.
© ℗ 1988 Blackened Recordings.℗© 1988 Elektra/Asylum Records
Printed in U.S.A.

Comes with printed innersleeves and sticker on the factory plastics. The sticker informs this release is Direct Metal Mastered.

Category 60812-1 given on the labels, on the innersleeves and on the sticker.
Category 9 60812-1 given on the spine.℗© 1988 Elektra/Asylum Records
Printed in U.S.A.

Comes with printed inner sleeves and sticker on the factory plastics. The sticker informs this release is Direct Metal Mastered.

Category 60812-1 given on the labels, on the inner sleeves and on the sticker.
Category 9 60812-1 given on the spine.

Barcodes

  • Barcode (Text): 0 7559-60812-1 4
  • Matrix / Runout (Label side A): ST-E-60812-A
  • Matrix / Runout (Label side B): ST-E-60812-B
  • Matrix / Runout (Label side C): ST-E-60812-C
  • Matrix / Runout (Label side D): ST-E-60812-D
  • Matrix / Runout (Runout side A, etched): ST-E-60812-A-DMM-2 SP1-1 MASTERDISK
  • Matrix / Runout (Runout side B, etched): ST-E-60812-B-DMM-2 MASTERDISK SP1-1
  • Matrix / Runout (Runout side C, etched): ST-E-60812-C-DMM-2 SP1-1 MASTERDISK
  • Matrix / Runout (Runout side D, etched): ST-E-60812-D-DMM-1 SP1-1 MASTERDISK
  • Rights Society: ASCAP
  • Other (Embossed on label side B): E A S T
  • Barcode (Text): 8 56115 00462 0
  • Barcode (Scanned): 856115004620
  • Matrix / Runout (Side One runout, etched): 470716-1A RML 2 S-67316 17861.1...
  • Matrix / Runout (Side Two runout, etched): 470716-1B RML 2 S-67317 17861.2...
  • Matrix / Runout (Side Three runout, etched): 470716-1C RML 2 S-67318 17861.3...
  • Matrix / Runout (Side Four runout, etched): 470716-1D RML 2 S-67319 17861.4...
  • Rights Society: ASCAP
  • Barcode (Text): 0 7559-60812-1 4
  • Matrix / Runout (Side A): ST-E-60812-A-DMM-2 SP1-1 MASTERDISK
  • Matrix / Runout (Side B): ST-E-60812-B-DMM-2 MASTERDISK SP1-1
  • Matrix / Runout (Side C): ST-E-60812-C-DMM-2 SP1-1 MASTERDISK
  • Matrix / Runout (Side D): ST-E-60812-D-DMM-1 SP1-1 MASTERDISK
  • Barcode: 4601365 000016
  • Barcode: 0 7559-60812-2 1
  • Matrix / Runout (Variant 1): #920114B CD-60812 MFG BY CINRAM
  • Matrix / Runout (Variant 2): #921212NN CD-60812 MFG BY CINRAM
  • SPARS Code: ADD
  • Barcode: 8 365928 856378
  • Matrix / Runout: 836 062-2 01
  • Rights Society: BIEM
  • Rights Society: STEMRA
  • Label Code: LC 1633
  • SPARS Code: ADD
  • Barcode (Scanned): 858978005875
  • Barcode (Printed): 8 58978 00587 5
  • Barcode: No Barcode

Companies

  • Record Company – Warner Communications Inc.
  • Manufactured By – Elektra/Asylum/Nonesuch Records
  • Phonographic Copyright (p) – Elektra/Asylum Records
  • Copyright (c) – Elektra/Asylum Records
  • Published By – Creeping Death Music
  • Pressed By – Specialty Records Corporation
  • Recorded At – One On One Studios
  • Mixed At – Bearsville Studios
  • Mastered At – Masterdisk
  • Lacquer Cut At – Masterdisk
  • Mastered At – Masterdisk
  • Copyright (c) – Elektra/Asylum Records
  • Phonographic Copyright (p) – Elektra/Asylum Records
  • Phonographic Copyright (p) – Blackened Recordings
  • Copyright (c) – Blackened Recordings
  • Manufactured By – Blackened Recordings
  • Recorded At – One On One Studios
  • Mixed At – Bearsville Studios
  • Mastered At – Masterdisk
  • Remastered At – Lurssen Mastering
  • Manufactured By – KJF – KJF-31-867
  • Phonographic Copyright (p) – WEA International Inc.
  • Copyright (c) – WEA International Inc.
  • Manufactured By – Warner Music Canada Ltd
  • Distributed By – Warner Music Canada Ltd
  • Manufactured By – Cinram
  • Manufactured By – Sonopress-Rimo da Amazônia Indústria e Comércio Fonográfica Ltda.
  • Distributed By – Fonobrás, Distribuidora Fonográfica Brasileira Ltda.
  • Licensed From – PolyGram do Brasil Ltda.
  • Mastered At – Masterdisk
  • Copyright (c) – Elektra/Asylum Records
  • Phonographic Copyright (p) – Elektra/Asylum Records
  • Pressed By – Specialty Records Corporation
  • Phonographic Copyright (p) – Blackened Recordings
  • Copyright (c) – Blackened Recordings
  • Copyright (c) – Creeping Death Music
  • Published By – Creeping Death Music
  • Recorded At – One On One Studios
  • Mixed At – Bearsville Studios
  • Mastered At – Masterdisk
  • Mastered At – Record Technology Incorporated – 17861
  • Pressed By – Rainbo Records – S-67316
  • Pressed By – Rainbo Records – S-67317
  • Pressed By – Rainbo Records – S-67318
  • Pressed By – Rainbo Records – S-67319
  • Manufactured By – Warner Music Group

Comments:

Zehaffy
Justice in all it's glory on vinyl it sounds AMAZING!!
Priotian
I agree with the dynamic range comments and how its quiet, but as long as you turn it up it's fine. Sounds good to me on my Sennheiser hd700's though!
Mash
How do you make a record this quiet and still manage to lose all of the dynamic range?
Unsoo
Wow... What an absolutely terrible reissue. Definitely looking forward to the anniversary reissue. Hopefully done just like the first 3 anniversary box sets.
Mettiarrb
I have to crank my Marantz 2270 up to roughly 50% volume to get any sound out of this pressing. Poor pressing - do avoid.
mIni-Like
Just bought it used today and I'm going to ask for my money back. I have a loud stereo and this record has to be played at excessively high volumes. Because it's used, any tiny dust particles or scuffs are severely loud because the record is so quiet. Even in the loudest parts the dust rocked harder than the vinyl. If you're looking to buy a album to rock the dust, buy this.
Gravelblade
Skip this one. I think they're remastering it for a proper pressing; I'll be trading this one in and buying that one once it's released. This sounds like garbage. Pressed so quietly that you have to crank it, and then you can hear every molecule of dirt in the groove. Less bass than usual, even considering that there isn't any to begin with.
SiIеnt
A absolut horrible mastering for this great Record! its disappointing to listen...
Nidora
Yes must agree, was so disappointed with the sound on this, its so low, and just does not sound good at all!
Hulis
I'll have to agree with the majority here that this version is not that good. It's almost similar to what I would call "radio quality". You would expect better with the amount of $$$ made in their claim to fame of this album being #5 greatest heavy metal album of all time. Instead it seems to be either sheer negligence or a cash grab in the management of this "self released" version of a classic album. The band themselves stated that the original recording wasn't the best quality to begin with & with that you can't expect a miracle. You can however with the current technology at least replicate the original quality or better. This in my honest opinion was done with the 2008 remaster under the Warner Bros label. It was half speed mastered at Mobile Fidelity from the original analog master tapes. Mobile Fidelity later gained quite a reputation for their quality reissues of classic albums in all fields under their name. This better version I speak of (2008) has this quality but at it's time of release, it seems that it was in the early stages of the big resurgence of vinyl marketing so it was not advertised to a target audience of audiophiles that now search for Mobile Fidelity (MOFI) reissues & half speed mastering. Those not so familiar with this level of audio quality are often into vinyl collecting as a simple or novel hobby & would probably be happy with any version. This demographic trend commonly uses affordable or budget conscience hardware that is often seen in combo media devices or portables.
Brariel
Read some bad reviews and was a little sketchy upon buying but I decided to pull the trigger and was not disappointed. It sounds good but you have to turn up the volume.
Gosar
Why does this pressing sound so bad? Two words. Rainbo Records. That pressing plant should be put out of business. They aren't because they are a cheap(er) record plant, costing Metallica or any other company using them less. Find the 4LP 45RPM box or even the 2lp version from 2008. Both are better, much quieter pressings.
Todal
I'm really just reiterating what many others have mentioned: this pressing should've never passed QA.I'm not talkIng about the mix... that's for another thread, I'm talking the actual pressing is bad. Gotta push the trim on the preamp from unity (where a vast majority of records of just about any genre sits proper) to as far as my pioneer 707 goes... once pegged it'll put out a proper signal, but any surface noise that might occur is amplified by 10db or more. It's arguably usable for home use IF you are OCD about keeping your records clean and bought it new and cheap, but I'd definitely avoid using it in any live setting. I mean... I spin anything and have for a couple decades, and no joke, the only records I can think of off the top of my head that are as poorly pressed as this is some mid-60's peanuts/Charlie brown kids album and a horrendous pressing of the original war of the worlds radioplay, both of which I had kept around for random samples... I just never ever have to push the trim so damn hard to get the record to meter unity at the outputs.It's crazy that this product made it to print without anyone in the chain of command putting the kiabosch on it and ordering up another test printing.
Fek
This is the first time I've actually heard a little bit of bass on this album since I bought the original cassette on the day of its 1988 release. Other than that, I agree with most that this pressing doesn't sound great. Although, there is no version/pressing in existence that will ever sound great due to the horrible original recording and mix committed to analog tape. But the sheer nostalgia and love I had/have for this and all the pre-black album Metallica material outweighs the quality of any production, good or bad.
Alsardin
Has a decent amount of surface noise, especially on songs like One and the start of Blackened.
Iraraeal
Bad pressing. The volume is too low. The record itself has too much noise and looks very discolored. I wish the album was a gatefold too, I hate that they didn't even use the original labels on the record and opted to use the stock ones found on their other reissues of their catalog (Kill 'Em All-Justice only). Its a big disappointment and it could have been done so much better, I recommend that if you can find an original issue for a decent price DO IT! The only thing this record is good for is sticking the jacket in a frame and using it as wall art.
Fog
The worst vinyl I have ever purchased. Unwrapped it, listened to Side I & II, drove up to UPS and sent back to Amazon. Lost $4 on the transaction. It is literally unlistenable. Wish I had referenced discogs first. so pissed. ???? quite, except the surface noise; it's loud AF. No bass. Has anyone identified a good pressing? Which one should I be looking for? I need ONE in my collection.
Bloodray
The 2008 Warner Brothers reissue at half-speed mastering has been satisfactory to me.
Uleran
The pressing is quite. And the quality is similar to the CD's pressing. Things like quite bass and loud guitars/drums that this album was already known for are there. If you want to have a copy around to listen to I would recommend grabbing it.
Nargas
One of the worst records I bought. Sound so lean, silent and with ton of background noise. I have 50 years old records sounding better than this one. What a shame!!!
Iaran
Do not buy this record. These re-issues are terrible and this is the worst one. The worse sounding record I own. Look for the original releases in the record store instead.
Vuzahn
Brand new out of the wrapper, this is one of the most unlistenable, noisy pressings I have EVER heard. I got to "Frayed Ends of Sanity" and had to turn it off.
Shezokha
Wasn't this recording historically low in bass? Some sort of Jason Newsted snub? Anyway, I don't know the history accurately, but this disc is very light in the bass dept. So you gotta crank it!
Bedy
That's what I'm trying to remember now as well... but I noticed that the drums also lacked punch to them. Sounds delicate but you would expect more with the kick drums.
Nirad
Yeah the story was that Lars was sitting in at the final mix down and told the engineer to drop Jason out of the mix.
Frosha
Mastering level is a little low, but as soon as blackened starts your gonna be "awwww yeeeeaaahh" and crank it to ludicrous levels any how. Basically it's a copy to snag if you don't feel like paying a ton for a better mastered version. It gets the job done, again better versions are available. Don't pay more than 25.00 for it.
Kipabi
This is a shockingly bad pressing. It's mastered at such a low volume that you have to crank it WAY up just to hear it, at which point there is a hiss in the background. I previously owned the original 1988 Elektra pressing and it beats the Blackened pressing by a mile. I haven't heard the 2008 or 2010 pressings but I'd stay away from this one.
Morad
why are recent pressings almost always very quiet its very annoying
MrRipper
Steer clear of this pressing. I don't normally hear differences between different record pressings, but this one is hard not to hear how bad it it. The volume is very low, there is a hum, and there is basically no bass. I was in Hot Topic with my daughter, saw this, and grabbed it. That was a waste of $30 as it is so bad, its not even listenable. Packaging is nice though....
Fordregelv
Be careful of these Blackened label releases, mastered super quiet so you have to crank it to hear the music. Wouldn't be so bad if it weren't for the terrible quality control on the vinyl full of scratches and scuffs straight out of the packaging. Save your pennies for old Megaforce/Elektra, etc. FWIW the Black album on the Blackened label is decent, cut by Chris Bellman @ Grundman if you can find a flat and clean copy.

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